Ethnic Voices, Musical Crossroads
Probing the intersection of music and racial politics in California
What does it mean to be "Californian"? California Polyphony: Ethnic Voices, Musical Crossroads suggests an answer that lies at the intersection of musicology, cultural history, and politics. Consisting of a series of musical case studies of major ethnic groups in California, this book approaches the notion of Californian identity from diverse perspectives, each nuanced by class, gender, and sexuality.
In the early twentieth century, the concept of the Pacific Rim and an orientalist fascination with Asian music and culture dominated the popular imagination of white Californians, influencing their interactions with the Asian Other. Several decades later, as tensions rose between the Los Angeles Police Department and the African American community, the once-thriving jazz and blues nightclub scene of 1940s Central Avenue became a primary target for law enforcement's anti-vice crusade. The reactionary nature of the musical scores for Hollywood's noir films of the World War II and postwar eras negotiated the perceived demise of white female sexuality in the face of black culture and urban corruption. Mina Yang also considers Mexican Americans' conflicted assimilation into the white American mainstream from the early 1900s through the 1970s, as well as contemporary Korean Americans' struggles to express their cultural and national identities through hip-hop, a genre usually associated with African Americans.
According to Yang, there has never been a straightforward definition of "Californian." This most populous and most affluent state in the Union has been setting musical and cultural trends for decades, and Yang's study thoughtfully illuminates the multicultural nature of its musics.
“A fascinating and groundbreaking glimpse into a complicated musical geography.”--Journal of American History
"[A] compelling new study ... Yang successfully demonstrates that many elements can and must be taken into account when addressing the formation of any modern musical identify."--American Music Review
"Mina Yang offers a musical message of social hope without stepping back from fierce historical inequities. She shows how the meeting grounds and collisions marking California's racial landscape add up to far more than accidents. California Polyphony will sit on my bookshelf between Mike Davis's City of Quartz and George Lipsitz's Dangerous Crossroads."--Deborah Wong, author of Speak It Louder: Asian Americans Making Music
"A landscape of California's musical history that draws upon sociocultural and political forces that led to the creation, innovation, and appropriation of musical styles, genres, and forms. This welcome addition to music and cultural studies combines the musical contributions of African Americans, East Asian Americans, and Mexican Americans in a unique and refreshing way."--Cheryl L. Keyes, author of Rap Music and Street Consciousness
To order online:
To order by phone:
(800) 621-2736 (USA/Canada)
(773) 702-7000 (International)
Paul Edmund Bierley
Edited by Helen Rees
Edited by Neil Lerner
Popular Blues in America, 1850-1920
Peter C. Muir
Edited by Eve Harwood
The wrong place for the Right people
Barney Josephson with Terry Trilling-Josephson
Klezmer, Polka, Tango, Zydeco, and More!
Edited by Helena Simonett
A Cultural History of the Accordion in America
Edited by Gillian B. Anderson & Ronald H. Sadoff
Music, Biography, Identity
Edited by Ruth Hellier
Edited by Horace Maxile, Jr.
John Philip Sousa's Washington Years, 1854-1893
America's Bluegrass Ambassador to the World
Bill C. Malone
Beethoven's Pocket Sketchbook for the Agnus Dei of the Missa solemnis, Opus 123
Transcribed, edited, and with a commentary by Patrizia Metzler and Fred Stoltzfus
Singing, Shouting, and the Shadow of Minstrelsy