Cover for Brown: Child's Unfinished Masterpiece: The English and Scottish Popular Ballads. Click for larger image

Child's Unfinished Masterpiece

The English and Scottish Popular Ballads

An in-depth analysis of the creation of Child's opus, The English and Scottish Popular Ballads

The premier scholar of the English-language traditional or popular ballad, Francis James Child spent decades working on his widely read and performed collection, The English and Scottish Popular Ballads. In this first single author monograph of Child's life and work, Mary Ellen Brown analyzes Child's editorial methods, his decisions about which ballads to include, and his relationships with colleagues at Harvard and abroad. Brown draws on his extensive correspondence with collaborators to trace the production of his monumental work from conception and selection through organization and collation of the ballads.

Child's Unfinished Masterpiece shows readers what was at stake in Child's search for original manuscript materials housed at libraries and estates far afield and his desire to uncover unedited versions of previous editors' texts. In analyzing Child's letters, Brown also delves into his important network of collaborators, scholars, and friends such as William Macmath, Sven Grundtvig, James Russell Lowell, and Charles Eliot Norton, who influenced the organization and content of his work. Readers learn about the questions Child faced as an editor: whether the materials he gathered were authentic, whether a piece was more ballad or a song, or whether the text was sufficiently old or traditional. In showing Child's struggles with content and organization for The English and Scottish Popular Ballads, Brown notes the difficulty in defining the ballad genre while also showing that a clear definition is not a fatal flaw of the volume or to scholars' continued study of it.

"A key text for English-language ballad studies."--Victorian Studies

"This monument of research, synthesis, and reflection is a groundbreaking book that stands as its own major contribution to folklore and ballad studies and serves as a stimulus for further research--just as Child's own titanic work has done. I learned many things from this book, as will anyone who opens its pages."--Maureen N. McLane, author of Balladeering, Minstrelsy, and the Making of British Romantic Poetry

"This illuminating study captures the richness of Francis James Child's labors on The English and Scottish Popular Ballads through a patient scrutiny of his vast correspondence with a host of collaborators. In tracing Child's conclusions about the ballads, Brown provides valuable analysis of the letters that will be appreciated by ballad scholars, folklorists, and scholars of literature alike."--James Porter, founding editor of The Garland Encyclopedia of World Music

Mary Ellen Brown is a professor emerita of folklore, women's studies, and English (adjunct) at Indiana University Bloomington. Her previous publications include William Motherwell's Cultural Politics, 1797–1835 and Burns and Tradition.

To order online:
http://www.press.uillinois.edu/books/catalog/34wnd5xk9780252035944.html

To order by phone:
(800) 621-2736 (USA/Canada)
(773) 702-7000 (International)

Related Titles

previous book next book
In Her Own Words

Conversations with Composers in the United States

Jennifer Kelly

The Negro in Illinois

The WPA Papers

Edited by Brian Dolinar

Eating Together

Food, Friendship, and Inequality

Alice P. Julier

Kings for Three Days

The Play of Race and Gender in an Afro-Ecuadorian Festival

Jean Muteba Rahier

Pretty Good for a Girl

Women in Bluegrass

Murphy Hicks Henry

Strange Natures

Futurity, Empathy, and the Queer Ecological Imagination

Nicole Seymour

Yellow Power, Yellow Soul

The Radical Art of Fred Ho

Edited by Roger N. Buckley and Tamara Roberts

Macroanalysis

Digital Methods and Literary History

Matthew L. Jockers

Charles Ives in the Mirror

American Histories of an Iconic Composer

David C. Paul