Cover for DADIÉ: One Way: Bernard Dadie Observes America. Click for larger image

One Way

Bernard Dadie Observes America

Bernard Dadié follows in the tradition of Tocqueville and Céline, offering his impressions of America for a French-speaking audience---but in the style of an African griot. In One Way (originally titled Patron de New York), Dadié displays breezy humor while touching upon weighty issues, including racism, efficiency and the profit motive, and international politics. His reports are particularly interesting because they represent an African gaze on and discourse about the West, thus shifting the usual representation of the Other, in which the West offers the eye and the voice. Originally published in 1964, Dadié's book portrays a series of American vanities that remain enduringly provocative.

"Presents a vision of the United States through the eyes of a naive traveler, whose irony, humor, and quality of observation remind me very much of Montesquieu's Lettres Persanes."
-- Elisabeth Mudimbe-Boyi, Duke University

To order online:
http://www.press.uillinois.edu/books/catalog/37dne3wk9780252064081.html

To order by phone:
(800) 621-2736 (USA/Canada)
(773) 702-7000 (International)

Related Titles

previous book next book
Citizens in the Present

Youth Civic Engagement in the Americas

Maria de los Angeles Torres, Irene Rizzini, and Norma Del Río

Rooting for the Home Team

Sport, Community, and Identity

Edited by Daniel A. Nathan

Kings for Three Days

The Play of Race and Gender in an Afro-Ecuadorian Festival

Jean Muteba Rahier

Palomino

Clinton Jencks and Mexican-American Unionism in the American Southwest

James J. Lorence

Eating Together

Food, Friendship, and Inequality

Alice P. Julier

The Negro in Illinois

The WPA Papers

Edited by Brian Dolinar

Chasing Newsroom Diversity

From Jim Crow to Affirmative Action

Gwyneth Mellinger

In Her Own Words

Conversations with Composers in the United States

Jennifer Kelly

Immigrant Women Workers in the Neoliberal Age

Edited by Nilda Flores-González, Anna Romina Guevarra, Maura Toro-Morn, and Grace Chang