J. G. Ballard
The surrealist mindscapes of the New Wave innovator
Prophetic short stories and apocalyptic novels like The Crystal World made J. G. Ballard a foundational figure in the British New Wave. Rejecting the science fiction of rockets and aliens, he explored an inner space of humanity informed by psychiatry and biology and shaped by surrealism. Later in his career, Ballard's combustible plots and violent imagery spurred controversy--even legal action--while his autobiographical 1984 war novel Empire of the Sun brought him fame.
D. Harlan Wilson offers the first career-spanning analysis of an author who helped steer SF in new, if startling, directions. Here was a writer committed to moral ambiguity, one who drowned the world and erected a London high-rise doomed to descend into savagery--and coolly picked apart the characters trapped within each story. Wilson also examines Ballard's methods, his influence on cyberpunk, and the ways his fiction operates within the sphere of our larger culture and within SF itself.
"A new comprehensive standard. Wilson's insights reach to the furthest ends of J. G. Ballard's bookshelf, complicate easy assumptions about the location of the 'autobiographical' in his novels, and, best of all, assert that if there is a science fiction worth advancing into the twenty-first century, Ballard is at the center, not the periphery, of that project."--Jonathan Lethem
"In this wide-ranging and accessible work, D. Harlan Wilson argues that J. G. Ballard is a writer who remained true to science fiction even as he claimed to abandon the genre. With clear-eyed intelligence and a deep understanding of his subject, Wilson builds a compelling case for Ballard as perhaps SF’s most radical innovator."--Simon Sellars, coeditor of Extreme Metaphors: Interviews with J. G. Ballard, 1967–2008
"Did J. G. Ballard protest too much? In this engaging work, Wilson makes a compelling case that, though Ballard often distanced himself from science fiction, his entire oeuvre belongs to the genre, even if Ballard fundamentally changed the genre along the way to include the terrain of inner space and the science-fictionalization of everyday life. A wonderful reading of one of late modernity’s greatest imaginative writers."--David Ian Paddy, author of The Empires of J. G. Ballard: An Imagined Geography
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Michael R. Page
Edited by Gary Scharnhorst