Notes from the Heart of Europe
Down home in Prague and Rakovník
Bluegrass has found an unlikely home, and avid following, in the Czech Republic. The music’s emergence in Central Europe places it within an increasingly global network of communities built around bluegrass activities.
Lee Bidgood offers a fascinating study of the Czech bluegrass phenomenon that merges intimate immersion in the music with on-the-ground fieldwork informed by his life as a working musician. Drawing on his own close personal and professional interactions, Bidgood charts how Czech bluegrass put down roots and looks at its performance as a uniquely Czech musical practice. He also reflects on “Americanist” musical projects and the ways Czech musicians use them to construct personal and social identities. Bigwood sees these acts of construction as a response to the Czech Republic’s postsocialist environment but also to US cultural prominence within our global mediascape.
“Lee Bidgood is the first person to do a serious accounting of the forces, political and artistic, that have contributed to the popularity of this outlier music in this unlikely locale. By putting himself in the narrative, one gets an up close and personal sense of the various aspects of the bluegrass and old-time music wave that has swept across the Czech and Slovakian musical landscapes for years--and still counting.”--Tony Trischka, from the foreword
Publication of this book is supported in part by grants from the Andrew W. Mellon Foundation and the L. J. and Mary C. Skaggs Folklore Fund.
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