Music and Gender
International scholars engage in a conversation about music and gender in various cross-culture case studies in an effort to determine how music can help individuals, groups, and nations bridge difficult times of changing values.
Through the experiences of performers, composers, and ethnomusicologists working in Africa, Europe, the Middle East, and North America, Music and Gender explores how the uses and descriptions of music shift in response to rapid political, economic, or technological change.
A cross-section of case studies from the Central African Republic, Finland, and Turkey addresses issues of how performance reflects gender and furthers other social goals, such as negotiating identity and transforming consciousness. Articles on Croatian and Serbian popular music and on the changing circumstances of women musicians in war-torn Ethiopia and post-Soviet Estonia consider the fate of fragile constructions of gender and nationhood in times of war or crisis. Other essays consider the relationship of gender to digital sound technology--in terms of access to the field, interactions among musicians, and aesthetic decisions--and gender issues in writing the musical lives of women composers and performers.
Articulating a theoretical agenda that encompasses perspectives from vastly different musical cultures, this important collection shows how music can help bridge the radical transformations of individuals, groups, and nations.
"This collection of essays seeks to define the relationships of gender, music, and society. . . . A detailed index and biographical sketches of the several author contributors are included in this fine work. . . . Highly recommended." -- Multicultural Review
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Edited by Neil Lerner
Women Performers, Composers, and Impresarios from the Baroque to the Present
Cecelia Hopkins Porter
Music, Biography, Identity
Edited by Ruth Hellier
Edited by Gillian B. Anderson & Ronald H. Sadoff
Edited by Eve Harwood
Nancy Yunhwa Rao
Women, Music, and the Spoken Word
Marian Wilson Kimber
Singing, Shouting, and the Shadow of Minstrelsy
John Philip Sousa's Washington Years, 1854-1893
From Courtyard to Conservatory
The wrong place for the Right people
Barney Josephson with Terry Trilling-Josephson
Beethoven's Pocket Sketchbook for the Agnus Dei of the Missa solemnis, Opus 123
Transcribed, edited, and with a commentary by Patrizia Metzler and Fred Stoltzfus
A Life of Music, Love, and Politics
Jean R. Freedman
Edited by Horace Maxile, Jr.
Edna Phillips and the Philadelphia Orchestra
Mary Sue Welsh
Essays after a Sonata
The Life and Times of a Piano Virtuoso
Beth Abelson Macleod