The Emergence of the Star System in America
Moving pictures existed for over a decade before anything resembling a star system appeared. Then, within the space of a very few years, American cinema went from being completely devoid of stars to being completely dependent on them. Picture Personalities is an invaluable account of this crucial development in cinema and modern culture.
Conventional wisdom attributes the rise of the star system to the charisma of individual performers or to the public's desire to idolize an appealing star. In Picture Personalities, Richard deCordova argues that the fledgling movie industry and the press conspired to develop the star system, along with a system of discourse to support it.
How actors became stars and how they began to assume public identities distinct from their fictional roles was closely tied to the journalistic discourse of the period, produced by the trade press, newspapers, general periodicals, fan magazines, publicity stills, posters, and other material. DeCordova shows how the studios worked to fabricate moral images of the stars' marriages and personal lives and how a series of star scandals in the 1920s challenged those images and brought about changes in the conventions of representing stars. A new foreword by Corey K. Creekmur enhances this first paperback edition.
"This is film history at its best, relying on a wealth of archival sources to reject, refine, and clarify the received history, sifted through a sophisticated theoretical model of relationship between culture, industry, and consumer. It all adds up to the definitive tale of the myth of Hollywood stardom."--David Desser, coauthor of American-Jewish Filmmakers: Traditions and Trends
To order online:
To order by phone:
(800) 621-2736 (USA/Canada)
(773) 702-7000 (International)
American News Media and the Psychedelic Experience
The Image of the Journalist in Popular Culture
Matthew C. Ehrlich and Joe Saltzman
Critical Studies of Media Infrastructures
Edited by Lisa Parks and Nicole Starosielski
Noisemakers, Strikebreakers, and Muckrakers
Edited by Gary Osmond and Murray G. Phillips
The Federal Music Project in the West
Global Media and the World's Most Wanted Man
Edited by Susan Jeffords and Fahed Al-Sumait
A Viewer's History from the Civil War to the Great Depression
Cara A. Finnegan
Rethinking Criminalization, Privacy, and Consent
Amy Adele Hasinoff