Cover for Finnegan: Making Photography Matter: A Viewer's History from the Civil War to the Great Depression. Click for larger image
Ebook Information

Making Photography Matter

A Viewer's History from the Civil War to the Great Depression
Awards and Recognition:

Outstanding Book of the Year, Visual Communication Division, National Communication Association (NCA), 2015

How Americans grew to understand a new kind of visual experience

Photography became a dominant medium in cultural life starting in the late nineteenth century. As it happened, viewers increasingly used their reactions to photographs to comment on and debate public issues as vital as war, national identity, and citizenship.

Cara A. Finnegan analyzes a wealth of newspaper and magazine articles, letters to the editor, trial testimony, books, and speeches produced by viewers in response to specific photos they encountered in public. From the portrait of a young Lincoln to images of child laborers and Depression-era hardship, Finnegan treats the photograph as a locus for viewer engagement and constructs a history of photography's viewers that shows how Americans used words about images to participate in the politics of their day. As she shows, encounters with photography helped viewers negotiate the emergent anxieties and crises of U.S. public life through not only persuasion but action as well.

Accessible and groundbreaking, Making Photography Matter provides a new consideration of the impact of the still image on our public culture.

"Finnegan digs into an important and under-examined aspect of the 'invasion' of photographic representation into public and private life. Recommended."--Choice

"The author uses plain language and homey metaphors to excellent effect. A solid and enticing piece of scholarly writing."--David M. Lubin, author of Shooting Kennedy: JFK and the Culture of Images

"Fine historical research. An important contribution to photographic studies."--Miles Orvell, author of The Death and Life of Main Street: Small Towns in American Memory, Space, and Community

"An original and important book that has historical, critical, and theoretical significance. Creatively and productively develops and extends a nascent and growing interest and perspective on the relationship between photography and public culture."--John Lucaites, author of No Caption Needed: Iconic Photographs, Public Culture and Liberal Democracy

Cara A. Finnegan is an associate professor of communication at the University of Illinois at Urbana-Champaign. She is the author of Picturing Poverty: Print Culture and FSA Photographs.

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