Joel and Ethan Coen
A postmodern analysis of the Coen brothers' approach to filmmaking
With landmark films such as Fargo, O Brother Where art Thou?, Blood Simple, and Raising Arizona, the Coen brothers have achieved both critical and commercial success. Proving the existence of a viable market for "small" films that are also intellectually rewarding, their work has exploded generic conventions amid rich webs of transtextural references.
In Joel and Ethan Coen, R. Barton Palmer argues that the Coen oeuvre also forms a central element in what might be called postmodernist filmmaking. Mixing high and low cultural sources and blurring genres like noir and comedy, the use of pastiche and anti-realist elements in films such as The Hudsucker Proxy and Barton Fink clearly fit the postmodernist paradigm. Palmer argues that for a full understanding of the Coen brothers unique position within film culture, it is important to see how they have developed a new type of text within general postmodernist practice that Palmer terms commercial/independent. Analyzing their substantial body of work from this "generic" framework is the central focus on this book.
"There is as yet only one book length analysis of any note [about the Coen Brothers] by a film scholar: R. Barton Palrmer's Joel and Ethan Coen (2004). . . . This is a book for those who have already made the acquaintance of the Coens through their films and are now ready to think about their work seriously."--Film International
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Lifestyles and Film Styles of American Cinema, 1930-1960
Chaplin to Kerouac to Iggy Pop
American Film Noir in the 1950s
Edited by Stephen Tropiano