Cover for ANDERSON: My Lord, What a Morning: An Autobiography. Click for larger image

My Lord, What a Morning

An Autobiography

My Lord, What a Morning is a gentle and engrossing memoir, abounding with the tender and inspiring stories of Marian Anderson's life in her own modest words. From her humble but proud beginnings in south Philadelphia to international vocal renown, the legendary contralto writes of triumph and adversity, of being grounded in faith and surrounded by family, and of the music that shaped her career. Anderson published My Lord, What a Morning in 1956 on the heels of her groundbreaking role as the first African American to perform at the Metropolitan Opera. In it are bittersweet reminiscences of a working-class childhood, from her first job scrubbing the neighbors' steps to the sorrow and upheaval of her father's untimely death. Here are the stories of a young girl with prodigious talent, and her warm remembrances of the teachers, managers, friends, accompanists, and fans who worked to foster it. Here is a veritable travelogue of her concerts across the globe and rare glimpses at the personal life of a woman more concerned with family than celebrity.

An entire chapter devoted to the Easter concert at the Lincoln Memorial in 1939 reveals Anderson's immense respect for Eleanor Roosevelt, who resigned from the Daughters of the American Revolution when they refused to let Anderson perform at Constitution Hall. Supplanting sorrow and regret for anger and violence, Anderson demurely imparts her views on discrimination and on becoming an icon in the struggle for civil rights.

With eleven photographs and a touching new foreword by Anderson's nephew, famed conductor and poet James DePreist, this new paperback edition of My Lord, What a Morning revives the classic portrait of a musical legend who was resilient in the bullying face of bigotry and gracious in the unfaltering glow of fame.

"There is a quiet beauty in this retiring, almost dutiful reminiscence of a life. Marian Anderson tells her story with the simplicity and dignity and graciousness people have come to associate with her."--Kirkus Reviews

"An important and inspiring book."--Mark Schubart, New York Times

Marian Anderson (1897-1993) was an internationally renowned contralto and an icon in the civil rights movement. James DePreist is Music Director of the Oregon Symphony and regularly performs with the Philadelphia Orchestra, the Chicago Symphony, and the New York Philharmonic. He is the recipient of thirteen honorary doctorates and the author of two collections of poetry.

To order online:
http://www.press.uillinois.edu/books/catalog/83etq5fd9780252070532.html

To order by phone:
(800) 621-2736 (USA/Canada)
(773) 702-7000 (International)

Related Titles

previous book next book
Civil Rights in the Texas Borderlands

Dr. Lawrence A. Nixon and Black Activism

Will Guzmán

Afro-Paradise

Blackness, Violence, and Performance in Brazil

Christen A. Smith

Women, Gender, and Families of Color

Edited by Jennifer F. Hamer

Harry T. Burleigh

From the Spiritual to the Harlem Renaissance

Jean E. Snyder

Sex Workers, Psychics, and Numbers Runners

Black Women in New York City's Underground Economy

LaShawn Harris

Daisy Turner's Kin

An African American Family Saga

Jane C. Beck

Slavery at Sea

Terror, Sex, and Sickness in the Middle Passage

Sowande' M. Mustakeem

Daughter of the Empire State

The Life of Judge Jane Bolin

Jacqueline A. McLeod

Connexions

Histories of Race and Sex in North America

Edited by Jennifer Brier, Jim Downs, and Jennifer L. Morgan

Black Music Research Journal

Edited by Horace Maxile, Jr.

Painting the Gospel

Black Public Art and Religion in Chicago

Kymberly N. Pinder

May Irwin

Singing, Shouting, and the Shadow of Minstrelsy

Sharon Ammen