Manoel de Oliveira

Author: Randal Johnson
Understanding the iconoclastic work of a lifelong cinematic pioneer
Paper – $22
978-0-252-07442-4
eBook – $14.95
978-0-252-04726-8
Publication Date
Paperback: 01/01/2007
Cloth: 08/06/2007
Buy the Book Request Desk/Examination Copy Request Review Copy Request Rights or Permissions Request Alternate Format Preview

About the Book

Manoel de Oliveira's eighty-five year career made him a filmmaking icon and a cultural giant in his native Portugal. A lifelong cinematic pioneer, Oliveira merged distinctive formal techniques with philosophical treatments of universal themes--frustrated love, aging, nationhood, evil, and divine grace--in films that always moved against mainstream currents.

Randal Johnson navigates Oliveira's massive feature film oeuvre. Locating the director's work within the broader context of Portuguese and European cinema, Johnson discusses historical and political influences on Oliveira's work, particularly Portugal's transformation from dictatorship to social democracy. He ranges from Oliveira's early concerns with cinematic specificity to hybrid discourses that suggest a tenuous line between film and theater on the one hand, and between fiction and documentary on the other.

A rare English-language portrait of the director, Manoel de Oliveira invites students and scholars alike to explore the work of one of the cinema's greatest and most prolific artists.

About the Author

Randal Johnson is professor in the Department of Spanish and Portuguese at the University of California, Los Angeles. He is the author of Cinema Novo x 5: Masters of Contemporary Brazilian Film and other books.

Reviews

"An aristocratic provocateur who most often comes up with aggressively eccentric but beautifully logical ways of adapting plays and novels, this 19th-century modernist needs an erudite explicator and finds one in Johnson."--Film Comment

"[A] comprehensive and informative critical evaluation of the Portuguese filmmaker's body of work."--Strictly Film School

Blurbs

"A superb job. Johnson's cogent film-by-film analysis of Oliveira's huge opus expertly interweaves discussions of complex thematic interests with acute observations on the director's innovative and highly experimental film style. He provides important information about Oliveira's various source texts, his unique approach to adaptation, and his fascination with religious and philosophical questions."--Darlene J. Sadlier, author of Nelson Pereira dos Santos