Women at Work in Twenty-First-Century European Cinema
Europe's working women in film fantasy and sobering reality
From hairdressers and caregivers to reproductive workers and power-suited executives, images of women's labor have powered a fascinating new movement within twenty-first-century European cinema. Social realist dramas capture precarious working conditions. Comedies exaggerate the habits of the global managerial class. Stories from countries battered by the global financial crisis emphasize the patriarchal family, debt, and unemployment.
Barbara Mennel delves into the ways these films about female labor capture the tension between feminist advances and their appropriation by capitalism in a time of ongoing transformation. Looking at independent and genre films from a cross-section of European nations, Mennel sees a focus on economics and work adapted to the continent's varied kinds of capitalism and influenced by concepts in second-wave feminism. More than ever, narratives of work put female characters front and center--and female directors behind the camera. Yet her analysis shows that each film remains a complex mix of progressive and retrogressive dynamics as it addresses the changing nature of work in Europe.
"Highly recommended." --Choice
"A beautiful balance between plot analysis and aesthetic evaluation to show how cinematic forms and subjects work together to root women's labor in gendered and economic contexts." --MAI: Feminism & Visual Culture
"This book makes an important intervention into both feminist film theory and scholarship on European cinema. Mennel provides a kaleidoscopic overview of the landscape of European filmmaking today, and a key achievement of her study is its truly transnational, comparative framework, which generatively juxtaposes films from a wide range of European countries without losing sight of their cultural specificity."--Hester Baer, author of Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language
"A book steeped in cinematic analysis of style and form that is relevant far beyond the field of cinema and European studies. Innovative and unique in the way it brings a very timely topical focus to a large body of contemporary European cinema."--Maria Stehle, author of Ghetto Voices in Contemporary Germany: Textscapes, Filmscapes, and Soundscapes
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