Cover for MENNEL: Women at Work in Twenty-First-Century European Cinema. Click for larger image

Women at Work in Twenty-First-Century European Cinema

Europe's working women in film fantasy and sobering reality

From hairdressers and caregivers to reproductive workers and power-suited executives, images of women's labor have powered a fascinating new movement within twenty-first-century European cinema. Social realist dramas capture precarious working conditions. Comedies exaggerate the habits of the global managerial class. Stories from countries battered by the global financial crisis emphasize the patriarchal family, debt, and unemployment.

Barbara Mennel delves into the ways these films about female labor capture the tension between feminist advances and their appropriation by capitalism in a time of ongoing transformation. Looking at independent and genre films from a cross-section of European nations, Mennel sees a focus on economics and work adapted to the continent's varied kinds of capitalism and influenced by concepts in second-wave feminism. More than ever, narratives of work put female characters front and center--and female directors behind the camera. Yet her analysis shows that each film remains a complex mix of progressive and retrogressive dynamics as it addresses the changing nature of work in Europe.

"This book makes an important intervention into both feminist film theory and scholarship on European cinema. Mennel provides a kaleidoscopic overview of the landscape of European filmmaking today, and a key achievement of her study is its truly transnational, comparative framework, which generatively juxtaposes films from a wide range of European countries without losing sight of their cultural specificity."--Hester Baer, author of Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language

"A book steeped in cinematic analysis of style and form that is relevant far beyond the field of cinema and European studies. Innovative and unique in the way it brings a very timely topical focus to a large body of contemporary European cinema."--Maria Stehle, author of Ghetto Voices in Contemporary Germany: Textscapes, Filmscapes, and Soundscapes


Barbara Mennel is an associate professor of film studies in the Departments of English and of Languages, Literatures, and Cultures at the University of Florida. Her books include The Representation of Masochism and Queer Desire in Film and Literature and Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys.

To order online:
//www.press.uillinois.edu/books/catalog/28gfs4mn9780252042225.html

To order by phone:
(800) 621-2736 (USA/Canada)
(773) 702-7000 (International)

Related Titles

previous book next book
Abel Ferrara - Cover
Abel Ferrara

Nicole Brenez

Alejandro González Iñárritu - Cover
Alejandro González Iñárritu

Celestino Deleyto and María del Mar Azcona

All about Thelma and Eve - Cover
All about Thelma and Eve

Sidekicks and Third Wheels

Judith Roof

Abbas Kiarostami - Cover
Abbas Kiarostami

Expanded Second Edition

Mehrnaz Saeed-Vafa and Jonathan Rosenbaum

Agnès Varda - Cover
Agnès Varda

Kelley Conway

American Jewish Filmmakers (2d ed.) - Cover
American Jewish Filmmakers (2d ed.)

David Desser and Lester D. Friedman

"Baad Bitches" and Sassy Supermamas

Black Power Action Films

Stephane Dunn

Atom Egoyan - Cover
Atom Egoyan

Emma Wilson

Journal of Film and Video - Cover
Journal of Film and Video

Edited by Stephen Tropiano

American Horrors - Cover
American Horrors

Essays on the Modern American Horror Film

Edited by Gregory A. Waller

Albert Maysles - Cover
Albert Maysles

Joe McElhaney