The Diary of Vaslav Nijinsky
A uniquely personal record of a great artistís descent into madness
In his prime, Vaslav Nijinsky (1889-1950) was the most celebrated man in Western ballet--a virtuoso and a dramatic dancer such as European and American audiences had never seen before. After his triumphs in such works as The Specter of the Rose and Petrouchka, he set out to make ballets of his own, and with his Afternoon of a Faun and The Rite of Spring, created within a year of each other, he became balletís first modernist choreographer. Then, still in his twenties, he began to go mad.
For six weeks in early 1919, as his tie to reality was giving way, Nijinsky kept a diary--the only sustained daily record we have, by a major artist, of the experience of entering psychosis. In some entries he is filled with hope. He is God; he will save the world. In other entries, he falls into a black despair. He is dogged by sexual obsessions and grief over World War I. Furthermore, he is afraid that he is going insane.
The diary was first published in 1936, in a version heavily bowdlerized by Nijinskyís wife. The new edition, translated by Kyril FitzLyon, is the first complete and accurate English rendering of this searing document. In her introduction, noted dance critic Joan Acocella tells Nijinskyís story and places it in the context of early European modernism.
"A richly literate and annotated translation . . . Acocella is a masterful midwife to this extraordinary tale."--Janice Ross, Los Angeles Times Book Review
"This moving document . . . begs fresh interpretations of [Nijinsky's] life, artistry, ideas and psychological history."--Daniel Gesmer, The New York Times
To order online:
To order by phone:
(800) 621-2736 (USA/Canada)
(773) 702-7000 (International)
Ballroom Dance in the American Heartland
Edited by Susan Manning and Lucia Ruprecht
Creativity and Continuity in Six Communities
Susan Eike Spalding
Roots and Branches of Southern Appalachian Dance
Gender and Tradition in East Javanese Dance
Exploring the Missing Link
Rebecca Nettl-Fiol and Luc Vanier
Somatic Transformations through Dance, Yoga, and Touch
Edited with Essays by Sondra Fraleigh
The Racial Politics of Music and Dance in North American Slavery
Katrina Dyonne Thompson
Reinventing Southern Italian Folk Music and Dances