Literary Afro-Modernism and the Cultural Politics of Black Music
Hearing jazz in Afro-modernist literature
Jazz emerged during the political and social upheaval of world war, communist revolution, Red Scares, and the Black Migration. The tumult bred disagreements about the cultural significance of jazz that concerned both its African American roots and its international appeal. The questions about what was new or even radical about the music initiated debates that writers recapitulated for decades.
Jazz Internationalism offers a bold reconsideration of jazz's influence in Afro-modernist literature. Ranging from the New Negro Renaissance through the social movements of the 1960s, John Lowney articulates nothing less than a new history of Afro-modernist jazz writing. Jazz added immeasurably to the vocabulary for discussing radical internationalism and black modernism in leftist African American literature. Lowney examines how Claude McKay, Ann Petry, Langston Hughes, and many other writers employed jazz as both a critical social discourse and mode of artistic expression to explore the possibilities—and challenges—of black internationalism. The result is an expansive understanding of jazz writing sure to spur new debates.
"Indispensable to African American literary and cultural studies, jazz studies, and internationalist leftist studies. Its discussion of how jazz is called forth as a form of utopianism as well as social and political criticism in radical African American writing marks an important step in the contemporary critical reconsideration of how conventionally discrete areas of history and culture may be seen in intersectional terms."--Gary Edward Holcomb, author of Claude McKay, Code Name Sasha: Queer Black Marxism and the Harlem Renaissance
To order online:
To order by phone:
(800) 621-2736 (USA/Canada)
(773) 702-7000 (International)
The Best of the Original Chicago Blues Annual
Edited by Lincoln T. Beauchamp Jr.
How Four Black Women Took On the Army during World War II
Sandra M. Bolzenius
Witnessing the Reagan Era
Edited by Jennifer F. Hamer
Field Recordings and the American Experience
Racist Violence in Kansas, 1861-1927
Brent M. S. Campney
Edited by Horace Maxile, Jr.
The wrong place for the Right people
Barney Josephson with Terry Trilling-Josephson
Edited by Michael Ezra
The Jimmy Rogers Story
Wayne Everett Goins
Big Band Jazz Arranging in the Swing Era
The Intersection of Race and Feminist Politics in All-Black Male Schools
Edited by Brycchan Carey and Geoffrey Plank
Civil Rights Activism from World War II into the Cold War