Cover for Lowney: Jazz Internationalism: Literary Afro-Modernism and the Cultural Politics of Black Music. Click for larger image
Ebook Information

Jazz Internationalism

Literary Afro-Modernism and the Cultural Politics of Black Music

Hearing jazz in Afro-modernist literature

Jazz emerged during the political and social upheaval of world war, communist revolution, Red Scares, and the Black Migration. The tumult bred disagreements about the cultural significance of jazz that concerned both its African American roots and its international appeal. The questions about what was new or even radical about the music initiated debates that writers recapitulated for decades.

Jazz Internationalism offers a bold reconsideration of jazz's influence in Afro-modernist literature. Ranging from the New Negro Renaissance through the social movements of the 1960s, John Lowney articulates nothing less than a new history of Afro-modernist jazz writing. Jazz added immeasurably to the vocabulary for discussing radical internationalism and black modernism in leftist African American literature. Lowney examines how Claude McKay, Ann Petry, Langston Hughes, and many other writers employed jazz as both a critical social discourse and mode of artistic expression to explore the possibilities—and challenges—of black internationalism. The result is an expansive understanding of jazz writing sure to spur new debates.


"Recommended."--Choice

"Indispensable to African American literary and cultural studies, jazz studies, and internationalist leftist studies. Its discussion of how jazz is called forth as a form of utopianism as well as social and political criticism in radical African American writing marks an important step in the contemporary critical reconsideration of how conventionally discrete areas of history and culture may be seen in intersectional terms."--Gary Edward Holcomb, author of Claude McKay, Code Name Sasha: Queer Black Marxism and the Harlem Renaissance


John Lowney is a professor of English at St. John's University. He is the author of The American Avant-Garde Tradition: William Carlos Williams, Postmodern Poetry, and the Politics of Cultural Memory and History, Memory, and the Literary Left: Modern American Poetry, 1935-1968.

To order online:
//www.press.uillinois.edu/books/catalog/53qcf5qx9780252041334.html

To order by phone:
(800) 621-2736 (USA/Canada)
(773) 702-7000 (International)

Related Titles

previous book next book
The Beautiful Music All Around Us - Cover
The Beautiful Music All Around Us

Field Recordings and the American Experience

Stephen Wade

Quakers and Abolition - Cover
Quakers and Abolition

Edited by Brycchan Carey and Geoffrey Plank

This Is Not Dixie - Cover
This Is Not Dixie

Racist Violence in Kansas, 1861-1927

Brent M. S. Campney

Cafe Society - Cover
Cafe Society

The wrong place for the Right people

Barney Josephson with Terry Trilling-Josephson

In a Classroom of Their Own - Cover
In a Classroom of Their Own

The Intersection of Race and Feminist Politics in All-Black Male Schools

Keisha Lindsay

BluesSpeak - Cover
BluesSpeak

The Best of the Original Chicago Blues Annual

Edited by Lincoln T. Beauchamp Jr.

Black Public History in Chicago - Cover
Black Public History in Chicago

Civil Rights Activism from World War II into the Cold War

Ian Rocksborough-Smith

Glory in Their Spirit - Cover
Glory in Their Spirit

How Four Black Women Took On the Army during World War II

Sandra M. Bolzenius

Black Music Research Journal - Cover
Black Music Research Journal

Edited by Gayle Murchison

Blue Rhythm Fantasy - Cover
Blue Rhythm Fantasy

Big Band Jazz Arranging in the Swing Era

John Wriggle

Blues All Day Long - Cover
Blues All Day Long

The Jimmy Rogers Story

Wayne Everett Goins

Women, Gender, and Families of Color - Cover
Women, Gender, and Families of Color

Edited by Jennifer F. Hamer

James Baldwin and the 1980s - Cover
James Baldwin and the 1980s

Witnessing the Reagan Era

Joseph Vogel