Cover for GEMÜNDEN: Lucrecia Martel. Click for larger image
Ebook Information

Lucrecia Martel

A poetics of the senses

Films like Zama and The Headless Woman have made Lucrecia Martel a fixture on festival marquees and critic's best lists. Though often allied with mainstream figures and genre frameworks, Martel works within art cinema, and since her 2001 debut The Swamp she has become one of international film's most acclaimed auteurs.

Gerd Gemünden offers a career-spanning analysis of a filmmaker dedicated to revealing the ephemeral, fortuitous, and endless variety of human experience. Martel's focus on sound, touch, taste, and smell challenge film's usual emphasis on what a viewer sees. By merging these and other experimental techniques with heightened realism, she invites audiences into film narratives at once unresolved, truncated, and elliptical. Gemünden aligns Martel's filmmaking methods with the work of other international directors who criticize—and pointedly circumvent—the high-velocity speeds of today's cinematic storytelling. He also explores how Martel's radical political critique forces viewers to rethink entitlement, race, class, and exploitation of indigenous peoples within Argentine society and beyond.

"Journalists discovered Lucrecia Martel with her last film, but scholars like Gerd Gemünden were already paying attention to her extraordinary body of work. Now, Gemünden analyzes the complexities of the Martel universe with a combination of cinematic precision and historical knowledge, unpacking her references and delineating her acute specificity of place. A welcome volume and likely an instant classic."--B. Ruby Rich, editor, Film Quarterly

"In a superb and richly documented in-depth reading of Lucrecia Martel's filmic oeuvre, Gerd Gemünden places her firmly within the context of Argentina's vibrant New Cinema of the last twenty years, while also making a convincing case for her to be considered a leading filmmaker of our time."--Jens Andermann, author of New Argentine Cinema

Gerd Gemünden is professor of German studies, film and media studies, and comparative literature at Dartmouth College. His books include Continental Strangers: German Exile Filmmakers in Hollywood, 1933–1950 and A Foreign Affair: Billy Wilder's American Films.

To order online:

To order by phone:
(800) 621-2736 (USA/Canada)
(773) 702-7000 (International)

Related Titles

previous book next book
Nelson Pereira dos Santos - Cover
Nelson Pereira dos Santos

Darlene J. Sadlier

Subject to Reality - Cover
Subject to Reality

Women and Documentary Film

Shilyh Warren

Brazilian Women's Filmmaking - Cover
Brazilian Women's Filmmaking

From Dictatorship to Democracy

Leslie L. Marsh

Screening Cuba - Cover
Screening Cuba

Film Criticism as Political Performance during the Cold War

Hector Amaya

Alejandro González Iñárritu - Cover
Alejandro González Iñárritu

Celestino Deleyto and María del Mar Azcona

I Died a Million Times - Cover
I Died a Million Times

Gangster Noir in Midcentury America

Robert Miklitsch

Werner Herzog - Cover
Werner Herzog

Joshua Lund

Journal of Film and Video - Cover
Journal of Film and Video

Edited by Michael Clarke

Cinematic Encounters 2 - Cover
Cinematic Encounters 2

Portraits and Polemics

Jonathan Rosenbaum

Latina/o Stars in U.S. Eyes - Cover
Latina/o Stars in U.S. Eyes

The Making and Meanings of Film and TV Stardom


Unruly Cinema - Cover
Unruly Cinema

History, Politics, and Bollywood

Rini Bhattacharya Mehta

Film and the Anarchist Imagination - Cover
Film and the Anarchist Imagination

Expanded Second Edition

Richard Porton

Voicing the Cinema - Cover
Voicing the Cinema

Film Music and the Integrated Soundtrack

Edited by James Buhler and Hannah Lewis

Queer Timing - Cover
Queer Timing

The Emergence of Lesbian Sexuality in Early Cinema

Susan Potter

Latin American Melodrama - Cover
Latin American Melodrama

Passion, Pathos, and Entertainment

Edited and with an Introduction by Darlene J. Sadlier