The Emergence of the Star System in America
Moving pictures existed for over a decade before anything resembling a star system appeared. Then, within the space of a very few years, American cinema went from being completely devoid of stars to being completely dependent on them. Picture Personalities is an invaluable account of this crucial development in cinema and modern culture.
Conventional wisdom attributes the rise of the star system to the charisma of individual performers or to the public's desire to idolize an appealing star. In Picture Personalities, Richard deCordova argues that the fledgling movie industry and the press conspired to develop the star system, along with a system of discourse to support it.
How actors became stars and how they began to assume public identities distinct from their fictional roles was closely tied to the journalistic discourse of the period, produced by the trade press, newspapers, general periodicals, fan magazines, publicity stills, posters, and other material. DeCordova shows how the studios worked to fabricate moral images of the stars' marriages and personal lives and how a series of star scandals in the 1920s challenged those images and brought about changes in the conventions of representing stars. A new foreword by Corey K. Creekmur enhances this first paperback edition.
"This is film history at its best, relying on a wealth of archival sources to reject, refine, and clarify the received history, sifted through a sophisticated theoretical model of relationship between culture, industry, and consumer. It all adds up to the definitive tale of the myth of Hollywood stardom."--David Desser, coauthor of American-Jewish Filmmakers: Traditions and Trends
To order online:
To order by phone:
(800) 621-2736 (USA/Canada)
(773) 702-7000 (International)
Women and Documentary Film
The American West in Popular Culture
Edited by Richard Aquila
Sports in American Film
Robert Brent Toplin
Interrogating Midcentury American Icons
Edited by Joel Foreman
What Happened to Women in the Silent Film Industries?
Jane M. Gaines
Edited by Michael Clarke
Frank Sinatra and American Male Identity
Politics in the Film Community, 1930-60
Larry Ceplair and Steven Englund
American Film Noir in the 1950s