Passing and the Rise of the African American Novel
Awards and Recognition:
A CHOICE Outstanding Academic Title, 2003.
Revealing the role of light-skinned black characters passing for white in African American literature
Passing and the Rise of the African American Novel restores to its rightful place a body of American literature that has long been overlooked, dismissed, or misjudged. This insightful reconsideration of nineteenth-century African American fiction uncovers the literary artistry and ideological complexity of a body of work that laid the foundation for the Harlem Renaissance and changed the course of American letters.
Focusing on the trope of passing--black characters lightskinned enough to pass for white--M. Giulia Fabi shows how early African American authors such as William Wells Brown, Frank J. Webb, Charles W. Chesnutt, Sutton E. Griggs, Frances E. W. Harper, Edward A. Johnson, and James Weldon Johnson transformed traditional representations of blackness and moved beyond the tragic mulatto motif. Challenging the myths of racial purity and the color line, these authors used passing to celebrate a distinctive, African American history, culture, and worldview.
Fabi examines how early black writers adapted existing literary forms, including the sentimental romance, the domestic novel, and the utopian novel, to express their convictions and concerns about slavery, segregation, and racism. Chesnutt used passing as both a structural and a thematic element, while James Weldon Johnson innovated by parodying the earlier novels of passing and presenting the decision to pass as the result, rather than the cause, of cultural alienation. Fabi also gives a historical overview of the canon-making enterprises of African American critics from the 1850s to the 1990s and considers how their concerns about promoting the canonization of African American literature affected their perceptions of nineteenth-century black fiction.
"This compact study opens up interesting and original perspectives on the theme of passing in early African American fiction and the subsequent critical estimate of it. Thoroughly researched and well executed, it is a valuable contribution to the ongoing scholarly discourse on the literature of passing."--William Andrews, author of Classic Fiction of the Harlem Renaissance
"Fabi is a splendid close reader who provides fresh interpretations of more- and less-canonical texts in the African American literary tradition. Her ability to put familiar and underread texts in conversation with each other and with later works by black writers makes this study most useful to students and scholars of American and African American literature."--Valerie Smith, author of Self-Discovery and Authority in Afro-American Narrative
To order online:
To order by phone:
(800) 621-2736 (USA/Canada)
(773) 702-7000 (International)
New Negro Writers, Artists, and Intellectuals, 1893-1930
Edited by Richard A. Courage and Christopher Robert Reed
Women Writers of the Black Left, 1945-1995
Slavery, Marriage, and Freedom in Nineteenth-Century America
White Seduction, Black Male Homosexuality, and the Cinematic
David A. Gerstner
Edited by Gayle Murchison
Edited by Darlene Clark Hine and John McCluskey Jr.
Edited by Jennifer F. Hamer
Edited by Brycchan Carey and Geoffrey Plank
Edited by Steven C. Tracy
Sexuality and the New African American Middle Class
Lisa B. Thompson