Women, Music, and the Spoken Word
Rediscovering a lost art and the women who made it
Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century.
Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music.
"An important resource for those interested in speech and drama, rhetoric, music, and women's studies. Highly recommended."--Choice
"In her fascinating and long-needed study, Wilson Kimber reconstitutes and interprets a set of pervasive but neglected practices that include not only elocution but also melodramatic performance, recitation in combination with music, and the activities of the verse speaking choir. In so doing, she helps to recover an elusive but crucial element of cultural history: the sound of women's lives."--Joan Shelley Rubin, author of Songs of Ourselves: The Uses of Poetry in America
"A century ago, popular literature reached many Americans through the interpretive voices of women, women who--typically barred from the men's world of political oratory--cultivated a performance art in the home, the theater, on the traveling circuit. While revealing the huge variety of music used to accompany spoken narration, Wilson Kimber brings alive again the forgotten art of elocution through a close examination of the 'sentimental keepsakes' and pedagogical traditions it sought to preserve."--Michael V. Pisani, Vassar College
Publication of this book was supported by grants from the H. Earle Johnson Fund of the Society for American Music, from the AMS 75 PAYS Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation, and from the University of Iowa School of Music.
To order online:
To order by phone:
(800) 621-2736 (USA/Canada)
(773) 702-7000 (International)
Singing, Shouting, and the Shadow of Minstrelsy
Claude V. Palisca
Edited by Neil Lerner
Edited by Horace Maxile, Jr.
Edited by Eve Harwood
The Federal Music Project in the West
Russian Popular Music and Post-Soviet Homosexuality
Sandra Jean Graham
Composing an American Life
Denise Von Glahn
Edited by Gillian B. Anderson & Ronald H. Sadoff
Female-to-Male Cross-Dressing on the American Variety Stage
Gillian M. Rodger
Neil V. Rosenberg
Music, Language, and Emotion in Islamicate South Asia
Richard K. Wolf
Music, Biography, Identity
Edited by Ruth Hellier
The Life and Times of a Piano Virtuoso
Beth Abelson Macleod