Cinematic Encounters 2
Portraits and Polemics
The importance of fighting for, and about, films
Eschewing the idea of film reviewer-as-solitary-expert, Jonathan Rosenbaum continues to advance his belief that a critic's ideal role is to mediate and facilitate our public discussion of cinema. Portraits and Polemics presents debate as an important form of cinematic encounter whether one argues with filmmakers themselves, on behalf of their work, or with one's self.
Rosenbaum takes on filmmakers like Chantal Akerman, Richard Linklater, Manoel De Oliveira, Mark Rappaport, Elaine May, and Béla Tarr. He also engages, implicitly and explicitly, with other writers, arguing with Pauline Kael—and Wikipedia—over Jacques Demy, with the Hollywood Reporter and Variety reviewers of Jarmusch’s The Limits of Control, with David Thomson about James L. Brooks, and with many American and English film critics about misrepresented figures from Jerry Lewis to Yasujiro Ozu to Orson Welles. Throughout, Rosenbaum mines insights, pursues pet notions, and invites readers to join the fray.
"Challenging, probing, illuminating, Jonathan Rosenbaum’s work is a beacon for other cinephiles. His new collection shows him engaging with an exhilaratingly wide range of films and filmmakers throughout the world and causing us to think about them in fresh ways."--Joseph McBride, author of How Did Lubitsch Do It?
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Abraham Lincoln and the Ann Rutledge Legend
John Evangelist Walsh
American Film Noir in the 1950s
Expanded Second Edition
Mehrnaz Saeed-Vafa and Jonathan Rosenbaum
The Emergence of Lesbian Sexuality in Early Cinema
What Happened to Women in the Silent Film Industries?
Jane M. Gaines
Women and Documentary Film
Chaplin to Kerouac to Iggy Pop
Donald G. Godfrey
Jonathan R. Eller
Reinventing Film Music
Edited by Stephen Tropiano
Cáel M. Keegan
Interviews and Dialogues