Cover for LEAVER: Bach Perspectives, Volume 12: Bach and the Counterpoint of Religion. Click for larger image
Ebook Information

Bach Perspectives, Volume 12

Bach and the Counterpoint of Religion

Bach's music observed within the cross-currents of religion in the Eighteenth Century

Johann Sebastian Bach was a Lutheran, and much of his music was for Lutheran liturgical worship. As these insightful essays in the twelfth volume of Bach Perspectives demonstrate, he was also influenced by--and in turn influenced--different expressions of religious belief. The vocal music, especially the Christmas Oratorio, owes much to medieval Catholic mysticism, and the evolution of the B Minor Mass has strong Catholic connections. In Leipzig, Catholic and Lutheran congregations sang many of the same vernacular hymns. Internal squabbles were rarely missing within Lutheranism-- for example, Pietists disliked concerted church music, especially if it employed specific dance forms. Also investigated here are broader issues such as the close affinity between Bach's cantata libretti and the hymns of Charles Wesley, and Bach's music in the context of the Jewish Enlightenment as shaped by Protestant Rationalism in Berlin.

Contributors: Rebecca Cypess, Joyce L. Irwin, Robin A. Leaver, Mark Noll, Markus Rathey, Derek Stauff, and Janice B. Stockigt.


"This volume is interesting and contains a wide variety of topics for the reader. . . .This serves as a very specialized collection of essays for the discerning scholar and student, regardless of his or her interest and association with Kantor Bach." --Concordia Theological Quarterly

"While many of the previous volumes will be of interest primarily to musicians, the current volume contains studies that will interest many readers of church history, especially Lutherans, and those interested in the relationship of various Christian denominations with each other. " --Lutheran Quarterly


Robin A. Leaver is an emeritus professor of Sacred Music at Westminster Choir College, Princeton; honorary professor at Queen's University, Belfast; and a recent visiting professor at the Institute of Sacred Music at Yale University. He is the general editor of The Routledge Research Companion to Johann Sebastian Bach.

To order online:
//www.press.uillinois.edu/books/catalog/88rtk3ad9780252041983.html

To order by phone:
(800) 621-2736 (USA/Canada)
(773) 702-7000 (International)

Related Titles

previous book next book
The Music of James Tenney - Cover
The Music of James Tenney

Volume 2: A Handbook to the Pieces

Robert Wannamaker

Chen Yi - Cover
Chen Yi

Leta E. Miller and J. Michele Edwards

Black Opera - Cover
Black Opera

History, Power, Engagement

Naomi André

Los Romeros - Cover
Los Romeros

Royal Family of the Spanish Guitar

Walter Aaron Clark

Beyond Bach - Cover
Beyond Bach

Music and Everyday Life in the Eighteenth Century

Andrew Talle

American Music - Cover
American Music

Edited by Gayle Sherwood Magee

The Heart of a Woman - Cover
The Heart of a Woman

The Life and Music of Florence B. Price

Rae Linda Brown Edited and with a Foreword by Guthrie P. Ramsey Jr.

George Frederick Bristow - Cover
George Frederick Bristow

Katherine K. Preston

Peggy Glanville-Hicks - Cover
Peggy Glanville-Hicks

Composer and Critic

Suzanne Robinson

Music and the Moving Image - Cover
Music and the Moving Image

Edited by Gillian B. Anderson & Ronald H. Sadoff

The Music of James Tenney - Cover
The Music of James Tenney

Volume 1: Contexts and Paradigms

Robert Wannamaker

English Pastoral Music - Cover
English Pastoral Music

From Arcadia to Utopia, 1900-1955

Eric Saylor

Charles Ives's Concord - Cover
Charles Ives's Concord

Essays after a Sonata

Kyle Gann

Bach Perspectives, Volume 11 - Cover
Bach Perspectives, Volume 11

J. S. Bach and His Sons

Edited by Mary Oleskiewicz

Bach Perspectives, Volume 13 - Cover
Bach Perspectives, Volume 13

Bach Reworked

Edited by Laura Buch