Together Let Us Sweetly Live
The Singing and Praying Bands
A forgotten and beautiful African American folk tradition re-examined
Together Let Us Sweetly Live offers a rare look at the unique grassroots African American religious institutions called the Singing and Praying Bands. This folksong and ring shout tradition began in Chesapeake Bay country in the early nineteenth century, with a fusion of Methodist prayer meeting worship and African religious, danced song traditions. Although scholars have assumed ring shouts died out long ago, Jonathan C. David shows otherwise, ushering us inside tidewater communities of Maryland and Delaware where they continue to thrive.
A traditional band service represents a cultural commitment to mutual aid, called "help," operating as a system of social reciprocity, as a performance aesthetic, and as the foundation of community spirituality. The book's nine chapters tell the story of the Singing and Praying Bands at these services through oral histories, each told by a different member of a group. Seventy-eight photographs along with twenty-one song notations bring the spirit of the culture to life. The author's introduction provides the historical and ethnographic context needed to understand the bands and their tradition.
An accompanying CD of original field recordings offers an opportunity to hear the service as if you were there.
"Together Let Us Sweetly Live is an invaluable contribution to the study of folk culture, and a testament to the resilience of a heretofore largely overlooked tradition."--Sing Out!
"This indispensable reference source and comprehensive treasury of information on a phenomenal heritage and culture includes an accompanying CD of a sample recording of a Singing and Praying Band."--Multicultural Review
"Jonathan David has put together a fine set of first-person accounts that together convey a detailed view of this distinctive cultural tradition."--European Journal of Communication
“The stories taken together provide a panorama of history, showing the singing and praying band tradition from the insider’s perspective, focusing on personal relationships, folk traditions, and the ties that bind the practitioners and the community.”--Journal of Folklore Research
"A book rich in detail and deeply respectful of the bands and their worship practices."--Western Folklore
"Remarkable. . . . A rich historical and ethnographic portrait of the tradition and the community."--Smithsonian Folkways Magazine
"This book is superb. It combines historical analysis, first-person narrative, musical transcription, and photography to form a landmark study of folk religion. With insight and respect it conveys a wonderful sense of humanity."--Stephen Wade, editor and producer of A Treasury of Library of Congress Field Recordings
Supported by a grant from the Maryland State Arts Council, an agency funded by the State of Maryland and the National Endowment for the Arts
To order online:
To order by phone:
(800) 621-2736 (USA/Canada)
(773) 702-7000 (International)
Singing, Shouting, and the Shadow of Minstrelsy
The Federal Music Project in the West
Literary Afro-Modernism and the Cultural Politics of Black Music
Neil V. Rosenberg
Russian Popular Music and Post-Soviet Homosexuality
Edited by Horace Maxile, Jr.
Chicago Blues at the Crossroads
Sandra Jean Graham
Female-to-Male Cross-Dressing on the American Variety Stage
Gillian M. Rodger
From the Spiritual to the Harlem Renaissance
Jean E. Snyder
Edited by Neil Lerner
Edited by Eve Harwood
Claude V. Palisca
The wrong place for the Right people
Barney Josephson with Terry Trilling-Josephson
Edited by Gillian B. Anderson & Ronald H. Sadoff