Author Deposit Permission Policy
In an effort to increase access to the scholarship of its members and colleagues, the Society for Ethnomusicology has established the following policy regarding authors’ deposit of their Ethnomusicology contributions (articles, reviews, notes, etc.) in personal websites and non-commercial repositories.
These definitions are based on those on the SHERPA/RoMEO website (www.sherpa.ac.uk/romeoinfo.html).
This policy applies to pre-prints, post-prints, and the publisher’s version.
A pre-print is a work-in-progress contribution not yet accepted, or perhaps even submitted, to Ethnomusicology.
A post-print is the version of a contribution after peer review and acceptance by Ethnomusicology, with revisions completed.
The publisher’s version is the PDF file of a contribution as it appears in Ethnomusicology.
Author may post pre-print or post-print on a personal website, until 12 months after the publisher’s version appears in Ethnomusicology.
Author may deposit publisher’s version (PDF file) in a non-commercial repository 12 months after its publication in Ethnomusicology.
Author deposit of publisher’s version must include a link to the article in JSTOR.
Author must remove pre-print and post-print after depositing publisher’s version.
Volume 1: Contexts and Paradigms
Making a Scene in the American Heartland
Jonathan Wright and Dawson Barrett
Edited by Gayle Sherwood Magee
Memoirs of a Jazz Drummer
Dottie Dodgion and Wayne Enstice
Southwestern Ohio's Musical Legacy
Edited by Fred Bartenstein and Curtis W. Ellison
Women Making Music in the Nineteenth-Century South
Where Country & Western Met Rock 'n Roll
Edited by Gillian B. Anderson & Ronald H. Sadoff
Kevin Mungons and Douglas Yeo
Volume 2: A Handbook to the Pieces