Author Deposit Permission Policy
In an effort to increase access to the scholarship of its members and colleagues, the Society for Ethnomusicology has established the following policy regarding authors’ deposit of their Ethnomusicology contributions (articles, reviews, notes, etc.) in personal websites and non-commercial repositories.
These definitions are based on those on the SHERPA/RoMEO website (www.sherpa.ac.uk/romeoinfo.html).
This policy applies to pre-prints, post-prints, and the publisher’s version.
A pre-print is a work-in-progress contribution not yet accepted, or perhaps even submitted, to Ethnomusicology.
A post-print is the version of a contribution after peer review and acceptance by Ethnomusicology, with revisions completed.
The publisher’s version is the PDF file of a contribution as it appears in Ethnomusicology.
Author may post pre-print or post-print on a personal website, until 12 months after the publisher’s version appears in Ethnomusicology.
Author may deposit publisher’s version (PDF file) in a non-commercial repository 12 months after its publication in Ethnomusicology.
Author deposit of publisher’s version must include a link to the article in JSTOR.
Author must remove pre-print and post-print after depositing publisher’s version.
Writings in Music Theory
James Tenney Edited by Larry Polansky, Lauren Pratt, Robert Wannamaker, and Michael Winter
Bodies, Space, and Sound in American Cultural History
Christopher J. Smith
The Denise LaSalle Story
Denise LaSalle, with David Whiteis
The Art of Playing the Ney
Edited by William Kinderman
Edited by Gillian B. Anderson & Ronald H. Sadoff
Edited by Gayle Sherwood Magee
Transatlantic Religion and Music in Colonial Carolina
Stephen A. Marini
Music, Media, Language, Advocacy
Edited by Timothy J. Cooley
A Life of Music, Love, and Politics
Jean R. Freedman