Music and the Staged Veillée in Quebec

About the Book

Fiddlers, step dancers, storytellers, traditional singers, and folklorists staged Montreal’s first veillée in 1919. All that was missing, announced one of the organizers, was a magic carpet to transport the audience into the countryside and a kiss of forgetfulness to erase the woes of modern life.

Laura Risk tells the story of the veillées and explores how these commercial performances of idealized rural life became part of Quebec’s cultural heritage. Her in-depth examinations of key performances and recordings follow traditional music and dance from the stage onto radio, records and other audio media, and television. Throughout, Risk documents how veillées redefined folklore in twentieth-century Quebec and illuminates how their distinctive framing of traditional musicians and repertoire impacts the performance and reception of the music to the present day.

Astute and evocative, Music and the Staged Veillée in Quebec reveals the music, dancing, call-and-response songs, and extramusical associations winding through century-long conversations about nation, culture, and identity in Quebec.

* Publication supported by the AMS 75 PAYS Fund and General Fund of the American Musicological Society, supported in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.