Poetry And Violence
The Ballad Tradition of Mexico's Costa Chica
This first in-depth examination of the corrido tradition examines its history and shows how this Mexican ballad form has been and continues to be spawned and perpetuated by violence--and also how it used to regulate violence and address the healing aftermath of violence. Includes a 75-minute bound-in CD of corrido music.
Paper – $28
978-0-252-07562-9
eBook – $19.95
978-0-252-09187-2
Publication Date
Paperback: 01/24/2008
Series: Music in American Life
About the Book
John H. McDowell provides an in-depth study of the Mexican ballad form known as the corrido, a body of poetry that takes violence as its subject. Through interviews with corrido composers and performers, both male and female, and a generous sampling of ballad texts, McDowell reveals a living vernacular tradition that chronicles local and regional rivalries. A detailed case study with broad social and cultural implications, Poetry and Violence is a compelling commentary on violence as human experience and as communicative action.* Publication of this book was supported by a grant from the L. J. and Mary C. Skaggs Folklore Fund
About the Author
John H. McDowell is a professor of folklore, director of Undergraduate Studies, and former director of the Folklore Institute at Indiana University. He is the author of "So Wise Were Our Elders": Mythic Narrative of the Kamsá and editor of ¡Corrido!: The Living Ballad of Mexico's Western Coast.Also by this author
Reviews
"A brilliant study of a thriving ballad tradition extant in the Costa Chica region. It is written in a clear, coherent, and concise style. The book will appeal to those interested in ethnomusicology, ballad studies, and corrido studies."--Maria Herrera-Sobek, Western Folklore"The rich representations of the composer's voice interwoven with the theoretical overlay of scholarly abstractions, the critique of the (racist) allegations that the African heritage of Costa Chica afromestizos is the source of the patterns of violence, [and] the counterdistinction of the roles of composer, performer, and audience member in relating to the corrido's veracity . . . are all reasons to give McDowell's work 'two thumbs up.'"--Daniel Sheehy, Ethnomusicology
"A carefully crafted ethnography. . . . [McDowell] succeeds in making his case for the power of the corrido tradition on the Costa Chica to mediate fundamental cultural issues. . . . A groundbreaking analysis of this oft-interpreted genre."--Manuel Peña, Journal of American Folklore
"[McDowell] has uncovered a vernacular tradition that relates to regional rivalries that have centered on land redistribution since the revolution, capital formation, and consolidation of federal authority."--British Bulletin of Publications on Latin America, the Caribbean, Portugal and Spain
Supplemental Links
Listen to the 11 original Corridos HereRelated Titles
