The Muse Is Music

Jazz Poetry from the Harlem Renaissance to Spoken Word

Author: Meta DuEwa Jones

An elaborate articulation of the connections between jazz, poetry, and gender

Cloth – $125

978-0-252-03621-7

Paper – $30

978-0-252-07926-9

Publication Date

Paperback: 02/01/2013
Cloth: 06/30/2011

Series: The New Black Studies Series

Buy the Book Request Desk/Examination Copy Request Review Copy Request Rights or Permissions Request Alternate Format Preview

About the Book

This wide-ranging, ambitiously interdisciplinary study traces jazz's influence on African American poetry from the Harlem Renaissance to contemporary spoken word poetry. Through attention to cadence, rhythm, and structure, The Muse Is Music fills a gap in literary scholarship by attending to issues of gender in jazz and poetry and by analyzing recordings of poets both with and without musical accompaniment. Examining established poets such as Langston Hughes, Ntozake Shange, and Nathaniel Mackey as well as a generation of up-and-coming contemporary writers and performers, Meta DuEwa Jones highlights the intersections of race, gender, and sexuality within the jazz tradition and its representation in poetry. Jones also incorporates a finely honed discussion of the Black Arts Movement, the poetry-jazz fusion of the late 1950s, slam and spoken word performance milieus such as Def Poetry Jam, and other contemporary venues for black writing such as the Dark Room Collective and the Cave Canem Foundation.

About the Author

Meta DuEwa Jones is an associate professor of English and African and African diaspora studies and a faculty affiliate in the Center for Women's and Gender Studies and the Center for African and African American Studies at the University of Texas at Austin.

Reviews

"An important addition to the growing literature about jazz poetry. Recommended."--Choice

"Meta DeEwa Jones's recent tour de force of contemporary criticism, The Muse is Music, most certainly must take its place among classic and recent critical studies of African-American poetry and, as Jones describes her topic, 'jazz resonant' writing."-The Black Scholar

"Highly original. . . . Jones's authoritative knowledge and passion for jazz and for poetry infuse this book, and allow her to move with sweeping range through nearly a century of African American poetic production."--Wasafiri

Blurbs

"Like Melba Liston stepping to the microphone, trombone in hand, to punctuate one of her own arrangements with a newly improvised statement, Meta DuEwa Jones takes up the changes in the interrelationship between jazz and poetry and turns them out. Even those few readers who have read everything in print on the subject of jazz and verse will find that Jones has both new chapters and new verses, well worth multiple hearings."--Aldon Lynn Nielsen, author of Integral Music: Languages of African-American Innovation

"An extraordinarily original and important book about the musicality of African American poetic performance. Meta DuEwa Jones offers insightful and sophisticated readings and analyses of the relationship between black poetry and jazz. This wide-ranging and ambitious book will make an immediate impact on African American literary and cultural studies as well as performance studies."--Farah Jasmine Griffin, coauthor of Clawing at the Limits of Cool: Miles Davis, John Coltrane, and the Greatest Jazz Collaboration Ever