Listening to Quiet
Music, Sound, and Environmental Ideology in New York's Hudson Valley
Hearing soundscapes of conflict and community in a beautiful place
Cloth – $125
979-8-240-40069-8
Paper – $38
979-8-240-40106-0
eBook – $29.95
979-8-240-40107-7
Publication Date
Paperback: 07/13/2027
Series: Music in American Life
About the Book
The Hudson River Valley has long attracted people with its peaceful atmosphere and natural beauty. Joshua Groffman focuses on music and sound to examine the Valley as an idea built over time through stories, music, traditions, and everyday listening.Groffman’s investigation reveals that the relationships created by sounds form distinct acoustic communities. Listening closely—whether to gravel roads, gunshots, or the protest music of Pete Seeger—offers insight into competing views of who belongs, whose voices are heard, and the environmental impact of human action. Shifting acoustic communities reflect larger debates about race, class, and politics, inviting people to listen across their differences to build stronger connections and develop new ways of caring for both human and nonhuman communities.
An innovative inquiry into what people hear and don’t hear, Listening to Quiet considers how human and nonhuman voices can help us imagine more just and sustainable relationships with each other and the natural world.
* Publication of this book was supported by a grant from the L. J. and Mary C. Skaggs Folklore Fund.
About the Author
Joshua Groffman is a professor and chairperson of music at Southern Connecticut State University.Reviews
“With three sonically sculpted events in New York’s Hudson Valley as case studies, Groffman demonstrates how listening to our ‘multiple, temporary, and overlapping’ acoustic communities exposes local power structures invested in maintaining an exclusionary pastoral ideology. This is a timely and engaging work whose impact draws as much from its thorough theoretical grounding and particularity of subject matter as it does from its personal investment in understanding a place.”—Denise Von Glahn, author of The Sounds of Place: Music and the American Cultural Landscape